My tile production is increasing slowly but surely. I’m exploring handmade beads as well. The pod shapes are either Magnolia buds or chrysalises or just some strange unknown organic shape. Roses are self explanatory. I made … Continue reading →
I love this wonderful series and this man, Alan Titchmarsh. Its true what he says about enjoying gardening and the information is available to anyone who access to books, the internet and a piece of earth.
I roll out a slab of clay on a piece of sheet rock with a thick dowel using square equally sized dowels on either side. This ensures the tile has even consistent thickness.
Next using my stash of indian wood block prints I make ” consistent inconsistencies” all over the slab. That term is used by David Goldberg one of my former employers and creator of handmade wallcoverings.
Here is just one of them. I wanted these tiles to have distressed antique look so both the patterns and the glaze look like they are a hundred years old, worn and distressed.
Next I use my tile press to cut out the tiles. Its like a metal cookie cutter with a spring loaded hand pump.
Here is a sample of the bisqued and then glazed tile. When the tiles were still in the green wear state I rubbed off and distressed the surface of the pattern. The crackle glaze was fired after I bisqued the greenware. I probably could once fire these, that means applying the glaze to the greenware and firing them in the kiln one time instead of two times. Note the shrinkage. The manufacturer of this mid fire cone 6 porcelain claims it will shrink 12%. I have not checked that yet.
As part of my barter at Clayworks I have added another duty to my roster, glaze mixing. The measuring part is no big deal , its the sieving and mixing thats a pain in the toosh. Honestly I feel such purpose and pleasure being there that anything will do right now. Its a wonderful studio with great artists and good people. Conversations flow, work is created and the world outside falls away. Actually not if NPR is on the radio, which it often is. The best part is the smart women who call this place their studio. I have met some real quality women there.
I just love the pages from my materials and glaze analysis course at CU- Boulder. I took this class, with Linda Sikora, while I was getting my BFA in Ceramics. The pages are still stained with oxides. They give the glazes color. There are some really great glazes here for cone 9-10.